| <H1> Bandcamp </H1> |
| <H1> Bandcamp </H1> |
| <H1> Grab the Bandcamp App </H1> |
| <H2> Discover amazing new music and directly support the artists who make it. </H2> |
| <H2> Bandcamp Weekly March 27, 2018 </H2> |
| <H2> Discover
filter by:
location
format
time
browse by tags
</H2> |
| <H2> Fan Spotlight Recent favorites from the Bandcamp collections of fans, artists and special guests </H2> |
| <H2> Fans </H2> |
| <H2> Artists </H2> |
| <H2> Labels </H2> |
| <H3> The Best Albums of Winter 2018 </H3> |
| <H3>
Music for Plants
</H3> |
| <H3>
The Best Punk on Bandcamp, March 2018
</H3> |
| <H3> Bandcamp Weekly </H3> |
| <H3> Selling Right Now paused
(and yes, this really is a live feed — I can’t believe you thought it was canned!)
</H3> |
| <H3> Bandcamp Daily </H3> |
| <H3> Dirt </H3> |
| <H3> Ness Nite’s Latest Blends Rap, Funk, R&B, and Art Rock in the Pursuit of Freedom </H3> |
| <H3> Anna von Hausswolff's Pipe (Organ) Dreams </H3> |
| <H3> The Merch Table: March 2018 </H3> |
| <H3> The Best metal on Bandcamp: March 2018 </H3> |
| <H3> Pursuit Grooves Finds Inspiration Everywhere </H3> |
| <H3> On “Everything’s Fine,” Jean Grae and Quelle Chris Take Society to Task </H3> |
| <H3> Everything's Fine </H3> |
| <H3> A Guide to the Diverse Cassette Scene of Santiago, Chile </H3> |
| <H3> Amen Dunes on “Freedom,” His Most Immediate and Beautiful Album to Date </H3> |
| <H3> Run Deep </H3> |
| <H3> Orquesta Akokán Brings Mambo into the 21st Century </H3> |
| <H3> The Best New Ambient Music on Bandcamp, March 2018 </H3> |
| <H3> Best New Electronic: March 2018 </H3> |
| <H3> Net </H3> |
| <H3> Hi Bias: Notable Cassette Releases on Bandcamp, March 2018 </H3> |
| <H3> On “Castration Anxiety,” HIDE Address Social and Political Unrest </H3> |
| <H3> A Tom Waits Listening Primer </H3> |
| <H3> Code Girl </H3> |
| <H3> 8 Kawaii Artists Using Grotesque Sounds to Redefine “Cute” Japanese Music </H3> |
| <H3> Possessor </H3> |
| <H3> How New York’s The Arsonists Helped Ignite Indie Hip-Hop </H3> |
| <H3> This Week’s Essential Releases: Dark Synth, Dreampop, Hip-Hop, and More </H3> |
| <H3> Gerpfast Kolektif Brings the Diversity of the Indonesian Underground to the World </H3> |
| <H3> On “When We Are,” Bandleader Nubya Garcia Explores New Sonic Terrain </H3> |
| <H3> In the ’80s, Ursula K. Le Guin & Todd Barton Recorded an Imaginary Civilization </H3> |
| <H3> Synthetic Core 88 </H3> |
| <H3> The Experimental World of Data-Bank-A’s Andrew Szava-Kovats </H3> |
| <H3> New and Notable </H3> |
| <H4>
List
</H4> |
| <H4>
List
</H4> |
| <H4>
It's Brazil time! Featuring Thiago Nassif, Ana Frango Elétrico and Sean Khan
</H4> |
| <H4> Fans have paid artists $283 million using Bandcamp, and $7.1 million in the last 30 days alone. </H4> |
| <H4> Fans have paid artists $283 million using Bandcamp, and $7.1 million in the last 30 days alone. </H4> |
| <H4>
by
</H4> |
Соц Мережі
Соціальні дані
Витрати і накладні витрати, що раніше надавали цю напівдержавну форму спілкування, неможливо.
Але досягнення у технологіях соціальних мереж на 2004-2010 рр. зробили більш широкі концепції обміну можливостями.